‘A Study Room Guide to Remoteness’ (no date). Available at:
Andrews, S. (2017) ‘At Home with Doors: Practising Architectural Elements in Yes, These Eyes Are the Windows and Between 13 and 15 Steps’, Contemporary Theatre Review, 27(4), pp. 462–480. doi: 10.1080/10486801.2017.1364734.
Bachelard, G. and Jolas, M. (1994) The poetics of space. Boston: Beacon Press. Available at:
Bishop, C. (2006) ‘The Social Turn: Collaboration and its Discontents’, Artforum, 44(6), pp. 179–185.
Bishop, C. and Kester, G. (no date) ‘The Social Turn: Collaboration and its Discontents [and] “Another Turn” Grant Kester response to Claire Bishop’. Available at:
Busch, A. (1999) Geography of home: writings on where we live. New York: Princeton Architectural. Available at:
Etchells, T. and Phelan, P. (1999) Certain fragments: contemporary performance and forced entertainment. London: Routledge.
Hann, R. (2012) ‘Blurred Architecture: Duration and performance in the work of Diller Scofidio + Renfro’, Performance Research, 17(5), pp. 9–18. doi: 10.1080/13528165.2012.728434.
Lavery, C. (2005) ‘Teaching Performance Studies: 25 instructions for performance in cities’, Studies in Theatre and Performance, 25(3), pp. 229–238. doi: 10.1386/stap.25.3.229/1.
Lavery, C. and Whitehead, S. (2012) ‘Bringing It All Back Home: Towards an ecology of place’, Performance Research, 17(4), pp. 111–119. doi: 10.1080/13528165.2012.712337.
Stuart (no date) ‘Surge, Sway, and Yaw: Mooring. Performances in The Boat Project and. A Room for London.’ Available at:
Stuart Andrews, Patrick Duggan (no date) Performing City Resilience – The art and culture of city resilience. Available at:
Wrights & Sites: A Manifesto for a New Walking Culture (no date). Available at: